2013 ജനുവരി 25, വെള്ളിയാഴ്ച
2013 ജനുവരി 16, ബുധനാഴ്ച
2012 ഡിസംബർ 27, വ്യാഴാഴ്ച
2012 നവംബർ 19, തിങ്കളാഴ്ച
2012 നവംബർ 17, ശനിയാഴ്ച
2012 നവംബർ 14, ബുധനാഴ്ച
2012 നവംബർ 13, ചൊവ്വാഴ്ച
2012 നവംബർ 12, തിങ്കളാഴ്ച
വറ്റാത്ത നാവായി
തളരാത്ത കൈകളായ്
പതറാത്ത കണ്ഠമായ്
നേരു പടരുന്നു
2010 നവംബർ 18, വ്യാഴാഴ്ച
അറബി കവിത
(അറബിയില് നിന്ന് മൊഴി മാറ്റം - ഇസ്മയില് മേലടി)
അബ്ദുല് ജബ്ബാര്
നല്ലവരിലൊരു നല്ലവന്
ദുഃഖം ചവച്ചിറക്കുന്നവന്
കോപ്പയിലെ ചായ പോലിറക്കുന്നവന്
ദുഃഖം സിഗരറ്റു പോലെരിക്കുന്നവന്
അബ്ദുല് ജബ്ബാര്
കണ്ണുകളില് പ്രായത്തിന്റെ അഗ്നിയും
വീട്ടിലെ വര്ത്തമാനങ്ങളും പേറുന്നവന്
സ്വന്തം മണ്ണിനോടുള്ള പ്രേമം
ഒരു ഭ്രാന്തായി കൊണ്ടുനടക്കുന്നവന്
ഭാവിയെ പറ്റിയുള്ള പ്രതീക്ഷകള്
സ്വപ്നമായി നെഞ്ചേറ്റിയവന്
അബ്ദുല് ജബ്ബാര്
അയാള് വളരെ കുറച്ചു മാത്രം ഉറങ്ങുന്നു
ഈ ലോകത്തിലെ സന്തോഷങ്ങളൊക്കെ
നഷ്ട്ടപ്പെടാതിരിക്കാന്
ഓരോ കൊച്ചു കാര്യങ്ങളും
ശ്രദ്ധിച്ചു കൊണ്ടേയിരിക്കുന്നു
ഉറങ്ങുമ്പോഴാകട്ടെ
പാതി കൂമ്പിയ മിഴികളുമായി മാത്രം
ഉറങ്ങുന്നു.
2010 നവംബർ 17, ബുധനാഴ്ച
ഭ്രമം
(കവിത)
ഇസ്മയില് മേലടി
മരുഭൂമിയില്
പെരുമ്പറ മുഴങ്ങുന്നു
ചത്ത മോഹങ്ങളുടെ
മരുപ്പച്ചയില്
ഒട്ടകത്തിന്
കുടിനീര് കിട്ടുന്നു
കുറ്റിക്കാട്ടില്
ആര്ക്കോ വേണ്ടി
കിനിയുന്ന മധുരവും പേറി
പനിനീര്പ്പൂ
വിടര്ന്നു പരിലസിക്കുന്നു
വിജനവനത്തിന്റെ
ഉള്ളിന്റെയുള്ളില്
അസുലഭ ഭാഗ്യമായ്
പെട്ടെന്നുയരുന്നു
വെട്ടിത്തിളങ്ങുന്ന കൊട്ടാരം
പാമ്പ് മകിടിയൂതുന്നു
ജനം ആടിക്കുഴയുന്നു
ആട്ടം മൂക്കുന്നു
ലോകം കറങ്ങുന്നു
ആട്ടത്തിന് ഒടുവില്
ജനം പാമ്പിനെ കടിക്കുന്നു
അമ്പരപ്പടക്കാന് കഴിയാതെ
ജനം പാമ്പിനെ കടിക്കുന്നു
അമ്പരപ്പടക്കാന് കഴിയാതെ
ഞാന് പെരുവഴിയിലിറങ്ങുന്നു
ആനന്ടവേരു തേടിയലയുന്നു
കല്ലും മുള്ളും ചവിട്ടുന്നു
മലയും നദിയും താണ്ടുന്നു
മരുപ്പച്ചയില് നീരില്ല
പനിനീരും കൊട്ടാരവും കണ്ടില്ല
പെരുമ്പറയും കേട്ടില്ല
സര്പ്പം എന്റെ തലക്കകത്തെക്ക്
ഇഴഞ്ഞു കയറുന്നു
അതിനു കൊടുക്കാന്
എന്റെ കയ്യില്
മകുടിയില്ലല്ലോ
ആടിത്തിമിര്ക്കാന്
എനിയ്ക്ക് ചുറ്റും
ജനമില്ലല്ലോ
2010 ഒക്ടോബർ 30, ശനിയാഴ്ച
Bewilderment
Bewilderment
Drum beating heard in the desert
Camel finds water in the oasis of dead hopes
Sweet rose blossoms in the bush for the unknown
An elegant palace emerges in the heart of the forest
Snake blows flute and people dance around it
As the dance become wild the world revolves
At the height of it people bite the snake
Wonder struck I set out in search of the root of happiness
I tread the thorny stony way
I pass by mountains and rivers
There is no water in the oasis
No rose in the bush
No palace in the forest
No drum beating is heard
The snake crawls to my head
But, I don’t have a flute to give it
There are no people to dance around me.
By Ismail Meladi
Machine
Machine
At ten in the morning:
The wheel of the machine
Started moving
With a slightly terrifying noise
The moments started rolling
Along with the wheel,
Most obediently and devoutly;
Did I take the pen in my hand
Oh! I don’t remember that
It was beyond the fog of numbness
Oh! What a surprise,
It is noon already!
Yes, first of all,
The letters in my page,
Then, the ink in my pen,
Following them, my pen,
And at last, my fingers,
Have crawled and crawled
Along with the wheel
And at last, they have corroded
With the iron of the wheel
At five in the evening:
Oh my God, is it evening!
I have already lost my fingers,
So, I looked at my body
Oh heavens! It has happened
Exactly what I expected
Each of my organs
Have been blended with the wheel!
By Ismail Meladi
The burro at Sultanpur
The burro at Sultanpur
In the busy main street
Of this Sultanpur city
Smeared with the dust of antiquity
Incessant flow of rickshaws
With non-stop rings of bells
Sounding like death knells
Colourful, clamorous and bright,
Still, beautiful is this ugliness of antiquity
There stands a burro exactly in the middle
Of this road surrounded by all these noises
Silent, sharpening and stretching its long big ears
At this time flows and reaches there
Beautiful music, stereo and non-stereo,
Announcement of lottery tickets,
With handsome promises on future,
Slogans, election manifesto, street politics,
Land boundary disputes, secrets of friends,
Luring laughs of ladies flirting with their lovers
But, the burro stands on the middle of the road
In the same state, unmoved and dispassionate
And, many centuries have passed now.
By Ismail Meladi
Indian images
Indian images
I saw land areas, I saw forest areas
I saw land people in the forests
I saw barbaric people in the land
The ‘worms’ scrawling in the farms
And the life immersed in the dust
Wishes are being sucked in
By the chimneys of factories
Hopes are being driven far away
Along with the herds of cows
Those who toil for greening this land
Return to the palm huts of darkness
In the evening, crossing the desert
And again, the day dawns decrepit
The bullock carts roll panting
On the marooned track of ‘progress’
Loads burden up and bulls bend down
Carts stop at the red light of the rail track
After scaling up the steep road
Rajdhani Express sped away in front of them
On the electric line with AC three-tier coaches
Thousands of temple bells rang together
In the inner heart of the cart driver
Tridents headed towards his stomach.
By Ismail Meladi
Fly Socialism
Fly Socialism
The greatest socialists
In this country
Are the flies
They don’t discriminate
Between poor or rich
They act without bothering
Whether it is a patient
Or a healthy person
They don’t think about
The colour or race
Whether blacks or whites
They like everybody equally
Be it a north Indian
Or a south Indian
A Punjabi or a Tamil
A Bengali or a Malayali
The flies place their bottoms,
As they like, on everybody’s body
The flies do not find it difficult
To stay anywhere
Whether it is the waste bin
Or palatial mansions
They have no problem
In breathing the free air
Whether it is clean or dirty
They bless the elderly
As they bless the children
Flies are not shy to sing
In front of anybody
If need arises
They dare to venture out
At any time of the night
They don’t care a bit
For people’s positions or respect
Or even the caste differences
They make all of them their preys.
By Ismail Meladi
Nostalgic Memory
Nostalgic Memory
The heart of the capital city
Blossoms in December days
The fire in the torch at India Gate
Hesitates to burn brightly
The city that spits smoke
Moves on mechanically as usual
When the ‘Paanwala’ in Parliament street
Enquires about my well being
My lips utter ‘fine’ artificially
Malayalam ‘fine’ and Hindi ‘fine’ are different
My language changes
In front of the journalist in Rafi Marg
There, it is the usual ‘what is news’
When I meet the Malayali in Mayur Vihar
My language becomes more artificial
And more that that, dispassionate
There, the Malabarian and Travancorean
Show off their ego in newspaper language
When the Tamilian in Ramakrishnapuram
Calls me ‘Sir’ my answer becomes heavy
In Karol Bagh I have one language
And in Africa Avenue, another
In the posh Safdarjung Enclave
I have ‘apartment style’ language
When I return to my dwelling place
At the end of the day
And when I dream of loneliness
A small parrot chirps inside
The nest of my heart
I held my ears close
It was uttering something
In a feeble voice
Yes, I have heard this voice somewhere
It was the language of my village, of my household
Of my village people, and of my family
But, it is still not coming out through my lips
It has not been coming out for long
Even when I spend my time ‘freely’ with my friends.
By Ismail Meladi
Facial contradiction
Facial contradiction
(i)
I,
A faceless person,
Who hid my body
Somewhere in the depth
Of this big city,
I am the undisclosed offspring
Of an unknown weak woman,
Who came to this big city
Once upon a time
At some cross roads of history
From a poverty-stricken village
Of Bihar or Orissa,
She had crushed her bones,
Shrunken her skin,
Became herself a worm
And slowly perished
While labouring for palaces
I don’t know her
Nobody knows her
Because, like thousands,
She also had no face
She had pushed her life
With her body only
Yes, body had a value
In any street
Where face had no value
Due to this,
There is no meaning
In searching a face for me
That is why
I don’t have a name
So, you can call me
Any name, as you wish
Thief, robber, killer, scoundrel,
Anything
Because,
I don’t have a face of my own
Whenever chances came up
I pasted on my face
The undisclosed faces
Of the politician here,
Of the social reformist
Or of any VIP
My most important peculiarity is
That I am not written anywhere
My name cannot be found
In the birth and death register
In the local authority
Because, nobody knows
Where I was born,
When I was born
And to whom I was born
My name cannot be found
In the marriage register too
Because, I don’t need a marriage
To fulfil my sexual urge
Even the police clerk
Writes nothing about me
As he doesn’t know
Who are my parents,
As I have no permanent house,
Or a permanent name
I can speak anything to anybody
Call any names
I can beat anybody
I can kill anybody
Nobody will ask me anything
I can use the road as a toilet
Nobody will protest against it
I can scream loudly in the day time
Nobody will say anything
I don’t have anything of my own
So what?
But, I have the freedom to do anything
I am beyond the time and ages
I am behind the curtain of all images
That is why, I don’t need any protection
Because of all these,
Nothing will happen even if I die
Because,
I was not written anywhere.
(ii)
I,
A person,
Who lives in the biggest
And highest echelons
Of this big city
I get five-digit salary
I move only in cars
I am an executive
With an identity card
Hanging from my neck
When I come back from work
Thinking of the world’s issues
So seriously, heating my brain
I have the comfort of air-conditioning
Clubs, discussions, parties and get-togethers
Are my inevitable routines
I have to keep a lot of manners
And take care of many social values
Hence, I have a lot of facilities
My parents gave me education
In posh English-medium schools
Mother tongue is a shame for me
I, who have all the comforts in life,
Had a revelation one day
Since that day
This thought started haunting me
Though I have everything
I don’t have anything
When I screamed loudly for two days
My freedom took me to hospital
When I used the road for toilet
They chained me
Because,
Everything about me
Was written
Up-to-date.
By Ismail Meladi
Vote Shanties
Vote Shanties
In the city
Shanties emerge
And disappear
Without any shape
Like cut pieces of clothes
Political lords
Stitch votes
On these cut pieces
They burn
Old pieces
And dish out
New pieces
As the number of
Cut pieces increase
The lords gain
New and new attires.
By Ismail Meladi
The dog in Renigunta
The dog in Renigunta
The dog in Renigunta railway station
Runs through the mob
That is making noise
Comes to the platform
And lies down so close to earth
But dispassionate, closing its eyes
The common man in the capital city
Walks with his eyes wide open
As if he has closed his eyes
In the midst of political brouhaha
By Ismail Meladi